In a recent article in The Atlantic, it was claimed that experiences trump materialistic rewards. I buy that.
When I was 19 years old and had a little disposable income for the first time in my life, I bought every comic book that Marvel and DC put out, and some selected independent titles as well. I was a collector. I carefully handled every comic, then put it in a bag with an acid-free backing board.
Thirty-one years later, I still buy comics, but I only buy what I like, and once they're available digitally on sale, I'll get rid of the floppy issues if they're worth anything. I would rather have all of my comics available to read on my iPad than to have physical copies that I have to haul with me on vacations and on planes and trains when I'm on business trips, which I take often now. Life has changed.
Then in my late 20s and early 30s, it was Magic The Gathering cards, and then other card games, Star Trek and Star Wars, mostly. Then it was original comic book art. I had some great pieces by some great artists. Take, for example, this George Perez New Teen Titans page, shown here. I had pieces by Greg Land, Norm Breyfogle, Tom Grummett, Dick Dillin, Brent Anderson, Bill Reinhold, Denys Cowan, Larry Stroman, you name it.
Then my daughter came along. When we adopted Sera in 2007, I gave it ALL up. Everything. I sold off all my action figures, all my original art (except one page, which has sentimental attachment and is worth only about $50), and all of my comic books. I still have quite a few things about me, including trade paperbacks and hardcover collections of comics. But all the valuable stuff is long gone.
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In contrast, I read a post on Facebook yesterday about a man who has every key Marvel Silver Age comic, including Fantastic Four #1, in a safe deposit box and takes them out occasionally to enjoy them. Then he puts them back. He has literally hundreds of thousands of dollars in comics that he has to go to the bank to see.
I went to Las Vegas last summer to speak at the American Library Association annual conference, and I will be talking about that experience for years. Being wined and dined by an international publisher, being applauded and recognized for my work, traveling through Utah and Arizona seeing family, all of it was wonderful. I'd rather do that than be able to say, "Hey, look at this copy of Fantastic Four #1!" I can read Fantastic Four #1 whenever I want. It's on my iPad.
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